The Book of Grace
Steppenwolf Theatre proudly continues its 49th season with the highly anticipated Chicago premiere of Suzan-Lori Parks's poignant work, The Book of Grace. Parks, a celebrated playwright known for compelling narratives, delves into intricate themes of race, identity, history, and the varied Black experience in America. Her distinctive storytelling often embraces an unorthodox yet bold and refreshing narrative structure that relatively and vividly inspires the interconnected lives of her characters and invites the audiences to engage spiritually with their complex journeys. The Book of Grace tells the story of a woman named Grace who seeks joy in the good things that lift her spirit. She keeps a book filled with scraps of articles, stories, and scribbled notes that bring her happiness and hide the negativity surrounding her.
In "The Book of Grace," we are introduced to a woman named Grace, whose insatiable quest for joy and living in a world often clouded by negativity, she becomes a connoisseur of happiness, seeking comfort in her spirit—while seeking to bridge the gap between her husband Vet and his son Buddy. Grace compiles a unique journal filled with snippets of inspiring articles, stories that resonate with her heart, and scribbled notes brimming with her thoughts and reflections. Each page is adorned with colorful mementos—a picture, a favorite quote, or a photograph—which foster positivity and hope together. The book serves as her refuge, her own spiritual light that hides her from the doubt and despair surrounding her. The play is set in a border wall in Texas, near the US-Mexico border. The stage featured a modest house, where most of the dialogue happened within the connected area of the kitchen and living room. Grace tries to spread some of her good things dogma into the atmosphere surrounding Vet and Buddy, hoping that after 15 years of silence, where they haven't seen nor spoken to each other, would change when she invites Buddy to Vet's ceremony, honoring him as a Border Patrol Agent. Buddy accepts, but the happy reunion never surfaces, and Grace becomes a victim of trying to do good things.
The narrative delves into the harrowing themes of mental and physical abuse, illustrating the oppressive grip of male dominance and the heartbreaking reality of dysfunctional family dynamics. It exposes the painful cycle of spousal abuse, revealing how the relentless pursuit of happiness, the deep-seated desire to belong, and the crushing weight of societal acceptance can erode the very essence of our humanity, leaving scars that run deep within the soul. Parks allows us to get deep into each character's mind and soul and the trauma hidden behind the false persona of self-worth. Grace finds herself in her book, encouraging herself and those around her, even though she is trapped in a world of optimism vs. reality that borders between her husband wanting to keep her isolated and illiterate and her desire to share her love with a man lost in his world, protected by his own self afflicted boarders. Vet's self-worth comes from the job, doing whatever it takes to find favor, but ultimately feels like an outcast when his fellow agents never attend his parties. He also battles with the continual dilemma of right and wrong when it comes to immigrants seeking asylum against his training, where he despises their attempts to cross the border illegally. Buddy's self-acceptance is filled with lies and delusion, as he pretends to be a secret agent to impress his father. Still, deep inside, he is filled with resentment, hatred, and pain, seeking revenge against the one person who neglected and deserted him. Director Steve H. Broadnax III assembles a remarkable cast that captivates the audience with their exceptional performances. Zainab Jah shines as Grace, delivering a nuanced portrayal that resonates deeply. Brian Marable brings a compelling depth to the role of Vet, drawing viewers into his character's complexities. Steppenwolf ensemble member Namir Smallwood brings the same electrifying energy into the role of Buddy, as seen in Bug and Primary Trust (Goodman). Together, they create a dynamic and unforgettable theatrical experience.
Running two hours and thirty-five minutes, including intermission, Parks' play captivates audiences with a discerning perspective, offering an engaging character development within the play. However, the narrative's slow pace in reaching its conclusion may detract from its overall effectiveness. The story ultimately unfolds, leading to an intriguing and thought-provoking ending. However, audiences unfamiliar with her play's nuances may feel unsettled by its conclusion, raising questions about Grace's demise or triumph.
⭐⭐⭐
Steppenwolf Theatre Co.
The Book of Grace
Written by Suzan-Lori Parks
Directed by Steve H. Broadnax III
Now Through May 18, 2025
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