Hitt Records

Black Ensemble's Hitt Records is a high-energy performance of songs featuring some of the most incredible vintage music from the 1970s through the 1990s, including a wide variety of entertainers such as Percy Sledge, Phil Collins, Alexander O'Neil, Shalamar, Sister Sledge, The Brothers Johnson, Bob Marley, and Wilson Pickett. BET is known for carving out a unique niche in musical performances, showcasing their knowledge about influential singers and iconic groups with exuberance and captivating style. Written and directed by Daryl D. Brooks, Hitt Records centers around James and Charles Hitt, who own a vintage records shop called Hitt Records, selling records, CDs, and tapes. As they engage with their nephew, Vincent, and customers who come into their shop, they share tales of iconic entertainers and the profound impact these artists had on the music industry. Vincent Jordan portrays the spirited and grumpy Uncle James, while Charles, played by Dennis Dent, is more nurturing. Together, they embark on a mission to enlighten their nephew that there is nothing new under the sun, teaching him the essential role of past musicians in shaping the soundscape for today's singers and groups.

The two hour, two-act musical, featuring a final concert performance, is Black Ensemble's most substantial musical attribute, perfecting their ability to bring stories to life on stage. Still, it's essential to recognize that this niche doesn't always hit the mark. The essence of a compelling musical experience can falter if the right performers are not in place to deliver narratives and songs effectively— and this is the case with Hitt Records. The Black Ensemble features some talented singers. However, there are instances where certain songs performed do not align well with the unique styles of the selected artists. This inconsistency detracts from the overall impact of the performance, causing a lack of efficient connection with the audience, who want a more true-to-the-artist and song experience, which can be achieved by changing the right singer to fit the song. Vincent Jordan and Dennis Dent deliver captivating performances as the musical's narrators, immersing the audiences in the rich history of the music, and their performances carry the musical, which lacks the passion and flow Brooks provided in his outstanding production of The Time Machine.

Surprisingly, Jordan didn't appear in any of the songs, as he has always garnered a lot of attention and appeal during his previous performances. Black Ensemble member Dwight Neal. Rhonda Preston, Qiana McNary, and Lyle Miller, with Destin Warner and Michael Luder making a debut. Miller performed exceptionally as Chuck Jackson and Wilson Pickett, and Luder's debut was memorable, but he needs to tone down his Phil Collins. Collins was an extraordinary musician, a captivating performer, and a talented writer, yet he never quite fit into the mold of the sultry singer that Luder showcased. Another missed opportunity is not using the talent of ensemble member Britt Edwards in some of the songs. Christopher Carter enhances the experience by elevating the choreography, and BET's house band consistently delivers performances that excite the audience!

I enjoy Black Ensemble's musicals; however, Hitt Records needs a few changes to make it comparable to Brooks usually exceptional productions.

⭐⭐ 1/2 Stars

Black Ensemble Theatre

HITT Records

Written and Directed by Dary D. Brooks

December 21, 2024 - January 2025

Thanks for visiting our website. Click above for tickets, and below for additional reviews.